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=== Zlatá éra Asijské kinematografie ===
[[Soubor:Rashomon poster.jpg||thumb|right|250px|Plakát k filmu [[Rašómon]] (1950) režiséra [[Akira Kurosawa|Akiri Kurosawy]]]]
Rozmezí konce druhé světové války a počátek šedesátých let se označuje jako "Zlatá éra" asijské kinematografie.<ref name=Totaro>{{Cite journal|title=The "Sight & Sound" of Canons|first=Donato|last=Totaro|journal=Offscreen Journal|publisher=[[Canada Council|Canada Council for the Arts]]|date=31. ledna, 2003|url=http://www.horschamp.qc.ca/new_offscreen/canon.html|accessdate=19.4.2009|postscript=<!--None-->}}</ref><ref name=Lee>{{cite web|title=A Slanted Canon|author=Kevin Lee|publisher=Asian American Film Commentary|url=http://www.asianamericanfilm.com/archives/000026.html|accessdate=24.4.2009}}</ref><ref name=Daniels>{{cite web|title=Hybrid Cinematics: Rethinking the role of filmmakers of color in American Cinema|author=Tracy K. Daniels|publisher=Massachusetts Institute of Technology|date=11. ledna, 2008|url=http://cms.mit.edu/research/theses/TracyDaniels2008.pdf|accessdate=2009-05-22}}</ref> Během této doby bylo v [[Japonsko|Japonsku]] natočeno mnoho významných filmů, například [[Pozdní jaro]] (1949) a [[Příběh z Tokia]] (1953) režiséra [[Yasujirō Ozu]], filmy [[Rašómon]] (1950), [[Sedm samurajů]] (1954), [[Krvavý trůn]] (1957) nebo [[Tři zločinci ve skryté pevnosti]] (1958) [[Akira Kurosawa|Akiri Kurosawy]] a sci-fi katastrofický snímek [[Godzilla (film, 1954)
[[Soubor:Satyajit Ray.jpg||thumb|left|250px|Indický filmový režisér [[Satyajit Ray]]]]
V Indii se v 50. letech vyprodukovalo na 200 filmů ročně, které získaly větší uznání až na mezinárodních [[Filmový festival|filmových festivalech]]. Jeden z nejvýznamějších režisérů této doby byl [[Satyajit Ray]], který mimo jiné natočil [[Trilogie Apu|trilogii Apu]] (1955-1959). Jeho filmy a styl významně ovlivnily světovou kinematografii, včetně režisérů jako Akira Kurosawa<ref>{{Cite book
|last1 = Robinson
|given1 = A
|year = 2003
|title = Satyajit Ray: The Inner Eye: The Biography of a Master Film-Maker
|publisher = I. B. Tauris
|isbn = 1-86064-965-3
|page = 96}}</ref>, [[Martin Scorsese]] <ref>{{cite web
|first = Chris|last = Ingui
|publisher = Hatchet|url=http://media.www.gwhatchet.com/media/storage/paper332/news/2002/03/04/Arts/Martin.Scorsese.Hits.Dc.Hangs.With.The.Hachet-195598.shtml?norewrite200607071207&sourcedomain=www.gwhatchet.com|title=Martin Scorsese hits DC, hangs with the Hachet|accessdate=2006-06-29
}}{{dead link|date=April 2015}}
</ref><ref>{{cite web|title=Raging Bull: A film review |first=Jay|last=Antani |year=2004 |publisher=[[Filmcritic.com]] |url=http://www.filmcritic.com/misc/emporium.nsf/reviews/Raging-Bull |accessdate=2009-05-04 |deadurl=yes |archiveurl=https://web.archive.org/20090214220229/http://www.filmcritic.com:80/misc/emporium.nsf/reviews/Raging-Bull |archivedate=14 February 2009 }}</ref>, [[James Ivory]] <ref>{{cite web
|first = Sheldon|last = Hall
|publisher = Screen Online|url=http://www.screenonline.org.uk/people/id/532213/index.html|title=Ivory, James (1928-)|accessdate=2007-02-12
}}
</ref>, [[Abbás Kiarostamí]], [[Elia Kazan]], [[François Truffaut]] <ref>{{cite web|title=THE 'WORLD' OF SATYAJIT RAY: LEGACY OF INDIA'S PREMIER FILM MAKER ON DISPLAY |first=Dave|last=Kehr |work=[[Daily News (New York)|Daily News]] |date=May 5, 1995 |url=http://www.nydailynews.com/archives/entertainment/1995/05/05/1995-05-05_the__world__of_satyajit_ray_.html |accessdate=2009-06-06 |deadurl=yes |archiveurl=https://web.archive.org/20090915204359/http://www.nydailynews.com:80/archives/entertainment/1995/05/05/1995-05-05_the__world__of_satyajit_ray_.html |archivedate=15 September 2009 }}</ref>, [[Steven Spielberg]] <ref name=unmaderay>{{cite web|url=http://www.satyajitrayworld.com/raysfilmography/unmaderay.aspx|title=Ordeals of the Alien|last=Ray|first=Satyajit|work=The Unmade Ray|publisher=Satyajit Ray Society|accessdate=2008-04-21|archiveurl=//web.archive.org/web/20080427215538/http://www.satyajitrayworld.com/raysfilmography/unmaderay.aspx <!--Added by H3llBot-->|archivedate=2008-04-27}}{{dead link|date=April 2015}}</ref><ref name=IMDbRay>{{cite web|author= Neumann P|publisher=Internet Movie Database Inc|url=http://www.imdb.com/name/nm0006249/bio|title=Biography for Satyajit Ray|accessdate=2006-04-29}}</ref><ref name=UCSCcurrents>{{Cite news|author=Newman J|url=http://www.ucsc.edu/currents/01-02/09-17/ray.html|title=Satyajit Ray Collection receives Packard grant and lecture endowment|publisher=UC Santa Cruz Currents online|date=2001-09-17|accessdate=2006-04-29}}</ref>, [[Carlos Saura]] <ref>{{cite web|title=Satyajit Ray is this Spanish director's inspiration|first=Suchetana|last=Ray|publisher=[[CNN-IBN]]|date=March 11, 2008|url=http://ibnlive.in.com/news/satyajit-ray-is-this-spanish-directors-inspiration/60900-8.html|accessdate=2009-06-06}}</ref>, [[Jean-Luc Godard]] <ref>{{cite web
|first = André|last = Habib
|publisher = Senses of Cinema|url=http://archive.sensesofcinema.com/contents/01/16/godard_habib.html|title=Before and After: Origins and Death in the Work of Jean-Luc Godard|accessdate=2006-06-29
|archiveurl = //web.archive.org/web/20060614150838/http://www.sensesofcinema.com/contents/01/16/godard_habib.html <!-- Bot retrieved archive --> |archivedate = 2006-06-14}}
</ref>, [[Isao Takahata]] <ref>{{cite web|first=Daniel|last=Thomas|title=Film Reviews: Grave of the Fireflies (Hotaru no Haka)|date=January 20, 2003|url=http://www.danielthomas.org/pop/film_reviews/fireflies.htm|accessdate=2009-05-30}}{{dead link|date=April 2015}}</ref>, [[Gregory Nava]], [[Ira Sachs]], [[Wes Anderson]] <ref name = "The Statesman">{{cite web
| title = On Ray's Trail
| url = http://www.thestatesman.net/page.arcview.php?clid=30&id=172929&usrsess=1
| publisher = The Statesman
| accessdate = 2007-10-19
|archiveurl = //web.archive.org/web/20080103071501/http://www.thestatesman.net/page.arcview.php?clid=30&id=172929&usrsess=1 <!-- Bot retrieved archive --> |archivedate = 2008-01-03}}{{dead link|date=April 2015}}</ref> nebo [[Danny Boyle]] <ref name=Jivani>{{cite web|first=Alkarim|last=Jivani |title=Mumbai rising |work=[[Sight & Sound]] |date=February 2009 |url=http://www.bfi.org.uk/sightandsound/feature/49511 |accessdate=2009-02-01 |deadurl=yes |archiveurl=https://web.archive.org/20090201115836/http://www.bfi.org.uk:80/sightandsound/feature/49511/ |archivedate=1 February 2009 }}</ref>. Podle Michaela Sragowa z měsíčníku [[The Atlantic]], "''mladistvý příchod žánru drama, který v padesátých letech zaplavil většinu filmových studií, dluží obrovský dluh především trilogii Apu''" <ref>{{Cite journal|title=An Art Wedded to Truth |first=Michael |last=Sragow |year=1994 |journal=[[The Atlantic|The Atlantic Monthly]] |publisher=[[University of California, Santa Cruz]] |url=http://satyajitray.ucsc.edu/articles/sragow.html |accessdate=2009-05-11 |deadurl=yes |archiveurl=https://web.archive.org/20090412212046/http://satyajitray.ucsc.edu:80/articles/sragow.html |archivedate=12 April 2009 }}</ref>. Další známí Indičtí filmaři, pocházející z této doby, jsou například [[Guru Dutt]] <ref name=Lee/>, [[Ritwik Ghatak]] <ref name=Totaro/>, [[Raj Kapoor]], [[Bimal Roy]], [[Karimuddin Asif]] a [[Mehboob Khan]] <ref name=Cinemacom>{{cite web|title=2002 Sight & Sound Top Films Survey of 253 International Critics & Film Directors|publisher=Cinemacom|year=2002|url=http://www.cinemacom.com/2002-sight-sound.html|accessdate=2009-04-19}}</ref>.
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